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numbers beginning with the country code +1. For example, NSO says its intrusion system cannot work on phones with U.S. In a public response, NSO has said its technology helps stop terrorism and that they’ve installed controls to curb spying against innocent targets. State Department is only aware of this hack because Apple notified the affected employees. government employees because they associated email addresses ending in with their Apple IDs, two of the people said.įascinating to consider that the U.S. The victims notified by Apple included American citizens and were easily identifiable as U.S. Īpple’s alert to affected users did not name the creator of the spyware used in this hack. officials either based in Uganda or focused on matters concerning the East African country, two of the sources said. The hacks, which took place in the last several months, hit U.S. State Department employees were hacked by an unknown assailant using sophisticated spyware developed by the Israel-based NSO Group, according to four people familiar with the matter. State Department Employees’ iPhones Were Hacked With NSO Group Spyware ★Ĭhristopher Bing and Joseph Mann, reporting for Reuters: My gut says Nolan is going to outgrow this. Which makes Nolan’s recent films a bit frustrating, given how amazing a job he did supervising the 50th anniversary re-release of 2001: A Space Odyssey. You can understand every fucking word every character says. In the same way the color grading of his films has never seemed dated, no matter the current fad, the audio tracks of films have not either. The correct answer here is Stanley Kubrick.
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Nolan is to mumble-mouthed movie dialogue what David Carson was to illegible typography. Trend isn’t even the right word, though - it’s a fad, like grunge typography in the 1990s or the bizarre orange-teal color grading of movies during the 2000s.īut the other factor - which Pearson addresses directly - is the singular influence of Christopher Nolan. (Have I ever mentioned how fucking much I love Bong Joon Ho‘s Parasite? My god, what a masterpiece.) So of course, you can, in theory, enjoy a movie recorded in your own language even if you can’t make out all or even a lot of the dialogue. Most people can thoroughly enjoy movies recorded in a foreign language with subtitles. I think part of this is a trend that might have been inevitable, as the language of cinema inevitably became the lingua franca of the world. But several others spoke openly about the topic, and it quickly became apparent that this is a familiar subject among the folks in the sound community, since they’re the ones who often bear the brunt of complaints about dialogue intelligibility. Another agreed to talk, but only under the condition that they remain anonymous. One person refused to talk to me, saying it would be “professional suicide” to address this topic on the record.
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Knowing I’m not alone in having these experiences, I reached out to several professional sound editors, designers, and mixers, many of whom have won Oscars for their work on some of Hollywood’s biggest films, to get to the bottom of what’s going on. It’s gotten to the point where I find myself occasionally not being able to parse entire lines of dialogue when I see a movie in a theater, and when I watch things at home, I’ve defaulted to turning the subtitles on to make sure I don’t miss anything crucial to the plot. But over the past 10 years or so, I’ve noticed that percentage has dropped significantly - and it’s not due to hearing loss on my end. I used to be able to understand 99% of the dialogue in Hollywood films. Ben Pearson: ‘Here’s Why Movie Dialogue Has Gotten More Difficult to Understand’ ★